post-twitter crisis

When I drink a cup of cof­fee, I don’t care about it. I expect a rea­son­able tem­per­a­ture, an inof­fen­sive taste, and a famil­iar aroma. That’s it. I don’t want to talk about it. I don’t want to look at it. I don’t want to take a pic­ture of it. I don’t want to doc­tor a pic­ture of it to make it look like it’s from 1975. I don’t want to look at a doc­tored pic­ture of it. I want to drink it, and that’s all. If I’m not very inter­ested in my cup of cof­fee, how inter­ested could I pos­si­bly in that of a friend, an acquain­tance, an enemy, or a stranger? Well, that answer is kind of complicated.

I’ve had a strange year with social media to the extent that my strug­gle there­with has been a thing that defines 2011 for me. I reckon the ten­sion had been build­ing for sev­eral years, but read­ing Sherry Turkle’s Alone Together helped me to clar­ify that ten­sion. I blogged about it here, and reviewed it for an online jour­nal spe­cific to my pro­fes­sion. I made less noise about some­thing else I read, a blog post by Fred­die deBoer called “the resent­ment machine.” (I rec­om­mend read­ing it!) “the resent­ment machine” cast a new light on all my online activ­ity, from my com­pul­sion for view­ing (and cri­tiquing) other people’s metaphor­i­cal faux-vintage pho­tos of cups of cof­fee to the very premise I’d set up for this blog. I stopped blog­ging, and found myself in the throes of a twit­ter cri­sis, which I nego­ti­ated my way through with a month’s worth of post-ironic meta-tweets that intrigued some and alien­ated others.

In the midst of this twit­ter cri­sis, I hoped never to get harsh or unkind, even though I felt some­thing that felt like anger, or, I guess, angst. I didn’t want to come across as haughty, even though I felt haughty. I did think, and I still do, that I was too good to be tweet­ing and read­ing tweets, but I never wanted that to be mis­con­strued as think­ing I was bet­ter than you, or any­one else who was also tweet­ing. I think we’re all bet­ter than this, or, at the very least: here is some­thing to strive for.

A cou­ple weeks ago, I stopped tweet­ing, and, just as impor­tantly, I stopped read­ing tweets. I’ve prob­a­bly missed out on a few good jokes and a few inter­est­ing arti­cles, but those vacan­cies are filled with a greater sense of peace. My expe­ri­ence with twit­ter has never been marked by peace, even when it’s been the most fun and the most helpful.

I think there’s a fatal­is­tic naiveté about social media that says that this is the way things are, must be, and will be, that this is progress, that this is a rev­o­lu­tion. Funny thing about rev­o­lu­tions is that they aren’t sub­ject to plans. I believe that the future doesn’t exist yet, and even if it did, it would remain unknown even to the savvi­est of web gurus until it stopped being “future.” All this stuff has been creep­ing in on us, and maybe we haven’t drawn enough lines. That doesn’t mean we’re pow­er­less to claim them now. Because social media seems like it’s here to stay, and because it’s always grow­ing and mov­ing into our lives, we must con­tinue to tend to our boundaries.

Twit­ter, as a com­pany, comes across as pretty decent, espe­cially com­pared to com­pa­nies like Face­book and Google. It’s twitter-as-product that con­cerns me. I know that its func­tion­al­ity brings out the worst in me, and I think that it brings out the worst in most peo­ple I’ve fol­lowed or observed. I think that it’s one of the most effi­cient expres­sions of “the resent­ment machine.” Not to say that twit­ter is unam­bigu­ously bad. It’s not. The ques­tion is whether that which is good about twit­ter is worth that which is bad about it. I don’t think it is.


Tumblr Rededication

Some­times I read my posts here and I think I come across as hav­ing my head up in the clouds or some­where else. If you know me, you know that’s not me, at least not com­pletely. But what am I to do? I’m blog­ging with a pur­pose (“Pur­pose Dri­ven Blog­ging”). I ago­nize over pop cul­ture


Scranton, R.F.D.

Look, I’ll be watch­ing every new episode of The Office this sea­son. I’ll prob­a­bly act kind of reluc­tant and sur­prised, after­wards, when I invari­ably say, “Yeah, it was pretty good!” That opin­ion will be slightly more pre­dictable and slightly less reli­able than Thefoodreviewer’s take on “Pizza Rolls.” I’ll end up buy­ing the sea­son on DVD.


Cymbals Eat Guitars — Why There Are Mountains

I wasn’t quite sure what to make of Nit­suh Abebe’s lat­est col­umn for Pitch­fork, “How to Be a Vam­pire.” In it, he turns the nos­tal­gia talk­ing point on its head, and rem­i­nisces over his approach to music in ado­les­cence, “lis­ten­ing like a vam­pire, lis­ten­ing because I desired to suck some­thing out of the music for


a Jersey Shore moment (S4E5, act 2, scene i)

Sitch rolls into the ambu­lance with Pauly at his side. In the house, Vinny and the Meat­balls con­sole them­selves in that last ves­tige of fam­ily togeth­er­ness, the kitchen. Soon, they will breathe fresh air and reflect upon the futil­ity of vio­lence, even con­sider the sub­tle hints of their own sur­pris­ing mor­tal­ity, but for now, this


Kendrick Lamar — Section.80

The story begins on the neigh­bor­hood cor­ner. A fire is crack­ling, and it’s night time, mid­sum­mer. The whole scene has the feel of an apoc­a­lyp­tic sum­mer camp for young adults. After a strange wel­come, female voices sing, “Every­body throw your hands up high, if you don’t give a f***, throw your hands up high.” Then,


The ‘90s Are All That

TeenNick’s new late-night 2-hour block of shows, The ‘90s Are All That seemed com­pelling enough to me that I upgraded my cable pack­age at a time when “going cable-less” is an increas­ingly attrac­tive propo­si­tion. The upgrade includes the addi­tion of some other chan­nels I’ve already enjoyed, like MLB Net­work and IFC, but it was Teen­Nick