It was cold out when Beach House’s Teen Dream was released (January 26, 2010), and the music seemed to fit the mood. I was impressed, but not blown away. I recognized it as a very good album, maybe even great, but it didn’t excite me or capture my imagination in quite the same way that, for example, Ariel Pink’s Haunted Graffiti’s Before Today or Flying Lotus’s Cosmogramma or Joanna Newsom’s Have One On Me did. It wasn’t highly anticipated like Arcade Fire’s The Suburbs or Vampire Weekend’s Contra. It definitely did not generate the buzz of Kanye West’s My Beautiful Dark Twisted Fantasy. Now it’s cold again, and after a year with Teen Dream, I have an appreciation for the album that I didn’t anticipate.
I’ve recently been fascinated with a picture (below) that I saw on a website called [you_have_broken_the_internet]. The blogger, a man named Ryan, kept a piece of Horween natural chromexcel leather in his back pocket for one year. With constant heat, friction, and exposure to his hand’s natural oils and his blue jeans’ indigo dyes, the leather’s appearance transformed from a raw looking tan color into a rich, deep, beautiful oxblood.
When someone indicates that a piece of music, and especially pop music (as opposed to classical, and I would also set jazz apart for the sake of discussion here), “rewards repeated listens,” skepticism is reasonable. After all, “pop” is short for “popular,” and it could also be understood in the sense of “populism.” The appreciation of pop music is basic, accessible to everyone, with no regard to training, education, or specialization. Ideally, I should be able to listen to a song or album once and know, at the very least, whether or not I enjoy it.
With regard to Teen Dream, I’m going to use the phrase — it does reward repeated listens — but I mean it differently than I might when discussing “outsider” music, or something really off the wall. That type of music requires a little more from the listener. Teen Dream is more like the aforementioned scrap of leather. Here’s how Horween describes their chromexcel leather….
Chromexcel is the original pull-up leather; using time honored techniques and formulas that were developed nearly 100 years ago. Chromexcel is still produced in the United States using a bark retannage from a proprietary recipe, and then genuine hot stuffed with our secret blend of natural oils and greases.
Chromexcel is characterized by a rich pull-up in full aniline, hand rubbed finishes. Made to this day with old world craftsmanship, modern Chromexcel carries on a long history of superior comfort and durability.
Obviously, all this was true of the raw looking scrap. It was lovingly, carefully crafted by one of the finest leather companies in the world using proven techniques. Its true beauty only became evident, though, after a year of being touched and kept in a gentleman’s back pocket.
I feel like Teen Dream has been in my back pocket. Its songs have been ubiquitous in 2010, but never obtrusive. I’ve never obsessed over Teen Dream, but I have often turned to it. Most importantly, the album seems to have accumulated something over the course of the year, just like that scrap of leather. And, just like that scrap of leather, everything that is beautiful to me about it now was really there all along.

[…] adoration for Beach House’s Teen Dream was something that happened slowly, gradually, and organically. Given the tones and the themes of […]